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ALTA MUSICA

Band 31    l    Volume 31    l   Livre 31    l    Volumi 31

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Kongress Coimbra, Portugal 2012

 

Leon J. Bly, Stuttgart, Germany

SEQ CHAPTER \h \r 1The Wind Orchestra’s Instrumentation Crossing the Bridge

from Tradition to Art............................................................................. S./p. 11-26

 

Thierry Bouzard, Saint-Maur-des-Fossés / France

The First Official Score for Drum Signals in the French Army......................... S./p. 27-38

 

David Gasche, Wien, Österreich

Die Entstehung der Harmoniemusik: Beispiel anhand der Partita in F

von Franz Aspelmayr (1769).................................................................. S./p. 39-49

 

Bernhard Habla, Oberschützen / Österreich

International Wind Music Associations. Targets,

Objectives, and Activities...................................................................... S./p. 51-66

 

Manfred Heidler, Bonn, Deutschland

„An jeder Ecke Philharmonien“ Anmerkungen zu Blasmusik

und Marketing ..................................................................................... S./p. 67-89

 

Patrick Hennessey, Honolulu / Hawaii, USA

Beyond the ‘Ukulele: Portuguese Influence on the Musical Traditions

of Hawai‘i............................................................................................ S./p. 91-101

 

Erik Janners, Oak Creek / Wisconsin, USA

Performance Psychology Concepts in Music.............................................. S./p. 103-120

 

Keith Kinder, Oakville / Ontario, Canada

The Portuguese Community Band of Hamilton, Ontario................................ S./p. 121-132

 

Jon Mitchell, Boston / Massachusetts, USA

Haydn Wood: From the Isle of Man to London and Beyond........................... S./p. 133-146

 

Francis Pieters, Kortrijk, Belgium

Wind Band Music Honoring Napoleon Bonaparte.......................................... S./p. 147-177

 

Rui Magno Pinto, Lisboa, Portugal

Operatic Content and Form in the Nineteenth-Century Portuguese

Wind-Instrument Repertoire................................................................... S./p. 179-220

 

Paul W. Popiel, Lawrence / Kansas, USA

Recent Wind Band Works of Composer Michael Colgrass:

Bridging the Path between Tradition and Art............................................ S./p. 221-230

 

John Reid, Calgary / Alberta, Canada

The Life and Music of Howard Cable........................................................ S./p. 231-240

 

Damien Sagrillo, Hellange, Luxembourg

Wind Music and Music Education. Aspects, Observations............................ S./p. 241-260

 

Malik Sharif, Graz, Austria

Alternative Wind Band Music beyond Tradition and Art.

A Case Study from Austria.................................................................... S./p. 261-274

 

Shawn Smith, Charlotte  / North Carolina, USA

The Brazilian Gershwin: The Fusion of Folk, Popular and Classical

in the Wind Music of Heitor Villa-Lobos.................................................... S./p. 275-286

 

 

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